We apologise that Gallery Two will be closed from 2.30pm on 26, 27, and 28 June. Gallery One and the On The Line exhibition are both open to visit until 5.00pm.
PHM is the national museum of democracy, telling the story of its development in Britain: past, present, and future.
On this blog we share posts from the PHM team and other experts, with behind the scenes stories, coverage of PHM's exhibitions and events, and highlights from the museum's unique collection.
This year at PHM we are looking at creative ways to protest, so we asked Polly Palmerini a Graduate Teaching Assistant on BA (Hons) Photography course at Manchester Metropolitan University (MMU) to blog about her recent project, Make a Manifesto for a Better Future, with students from Abraham Moss Community School, who were inspired to protest and create change through the power of visual communication.
To complement the performance of a specially commissioned song that celebrates the story of the Skelmanthorpe flag, on loan from Tolson Museum, on display in PHM’s Disrupt? Peterloo and Protest exhibition, we asked Commoners Choir member Catherine Long to describe this tuneful project and the 50 mile, three day walk it inspired.
We’re exploring the past, present and future of protest throughout 2019, and have compiled our own protest playlist. Here our friend, curator, DJ and co-founder of Manchester Digital Music Archive, Abigail Ward shares her highlights from Manchester’s history of rebel music.
Here at PHM we’re commemorating 200 years since the Peterloo Massacre; a major event in Manchester’s history, and a defining moment for Britain’s democracy. We asked Katie Belshaw, Curator of Industrial Heritage down the road at Science and Industry Museum to provide some context about early 19th century Manchester’s expanding cotton industry.
To complement the display of a portrait of Hugh Hornby Birley, who as captain of the Manchester and Salford Yeomanry played a central role in the events that unfolded at the Peterloo Massacre, we asked author Jeff Kaye to share his research on Birley from his forthcoming novel All the People and treat us to an excerpt about the painting, now in People’s History Museum’s (PHM) collection.
Are you more independent or community focused? Experimental or measured? Prefer work or play?
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