PHM is the national museum of democracy, telling the story of its development in Britain: past, present, and future.
On this blog we share posts from the PHM team and other experts, with behind the scenes stories, coverage of PHM's exhibitions and events, and highlights from the museum's unique collection.
At PHM we house the world’s largest collection of trade union and political banners. A the team start preparation for our 2025 Banner Exhibition, we look back to a blog in our archives. Conservator, Jenny van Enckevort explains the painstaking work it took to prepare one of our largest for display.
#OnThisDay in 1936 the Spanish Civil War began. To highlight the Printers Demand Arms for Spain banner on show in PHM’s 2019 Banner Display, our fantastic volunteer and Manchester Metropolitan University (MMU) post graduate student Beth Lane shares insight from previously unseen Spanish Civil War photographs in PHM’s internationally significant collection.
Many of the treasures on display for the very first time in PHM’s Disrupt? Peterloo and Protest exhibition were acquired thanks to a joint National Lottery Heritage Fund (NLHF) grant with Salford’s Working Class Movement Library (WCML). To celebrate the opening of the Library’s Peterloo: news, fake news and paranoia exhibition, we asked Lynette Cawthra, Working Class Movement Library Manager to talk about the project which gave both institutions funds to go shopping for new acquisitions.
To complement the display of a portrait of Hugh Hornby Birley, who as captain of the Manchester and Salford Yeomanry played a central role in the events that unfolded at the Peterloo Massacre, we asked author Jeff Kaye to share his research on Birley from his forthcoming novel All the People and treat us to an excerpt about the painting, now in People’s History Museum’s (PHM) collection.
To complement the display of a first edition of Percy Bysshe Shelley’s The Masque of Anarchy from Friday 1 March until the end of April 2019, we invited Dr Michael Sanders, Senior Lecturer in 19th century writing at the University of Manchester to share his insight into Shelley’s protest poem.
In his blog Michael reveals his first encounter with the poem on a record sleeve.
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